Tolstoy once came down into his living room from the office he wrote in, saw his family laughing, and said, "How can you be happy when Prince Andrei Nikolaevich is dying upstairs?" When you truly experience that feeling concerning your own characters, you are a writer.
Post-novel depression's intense pain tortures the most talented writers. When the writing is finished, the developing, changing, coming-to-life characters are no longer alive and growing. They are the writer's children during the writing process. When the novel is done and the writing stops, they become unchanging memories. It's like your own children have died, and all you have left is their memories.
David Brin says that writing is the ultimate sadomasochistic experience. A writer succeeds when the readers can't stop reading, giving up food, sleep, and sex, because they can't put the book down. The greatest compliment I ever received was when an MIT student complained that my novel gave him a bad grade on an exam. With the best novels, readers are in bondage to the novelist. The aim of the writer is to create characters as vivid as one's best friend, parents, or even spouse, so that the reader worries terribly about what is going to happen next to that character. The readers are enthralled, with "thrall" being another word for "slave." But the one most enslaved by the writing is the writer himself, as Tolstoy was with Andrei Bolkonsky. Tolstoy destroyed my vision, because I read War and Peace in one weekend.
Thursday, April 25, 2013
How can you be happy when Prince Andrei Nikolaevich is dying?
Wednesday, June 30, 2010
Envying the Ghosts of Oakwood Cemetery
Every night, I walk through the Oakwood Cemetery in Falls Church on my way to the Metrorail station.
I finished a novel last summer and it is now winter and I am having trouble selling it.
It is frequently pitch black as I walk through the cemetery. Many of the dead were buried over two hundred years ago. I talk to the ghosts. I envy them. They don't face false expectations of a "great" novel that is going nowhere. They haven't created children, brilliant, kind, loving children characters who will never live in readers' minds.
Koheleth says that those who have never been born are the luckiest. That should have been me. The pain of having written a novel, no longer touching my characters and watching them change, making them grow, is too intense.
The cemetery is peaceful. Those under the ground don't feel such pain. Can I kill myself and join them? No. I have obligations to my son, my wife, and my religion. It would be unfair to them. But why can't I have a quick heart attack? Then my wife and son would get my insurance, and face no stigma. There must be people in this cemetery who died that way. Why can't I? And soon?
Thirty-four years ago, finishing the novella that I sold fairly quickly after completing it put me into the worst depression of my life, until my mother's death. My creative writing professor, my college's writer-in-residence, said that post-novel-depression is very common and very painful. He was right. That depression lasted for about four months.
This time around, with a much bigger novel that I put twelve years of my life into, it is much worse. It has been more than half a year since I finished it, and I am just as depressed as ever. This might be even worse than losing my mother.
So, my poor ghosts, you have more life in you than my characters do. At least I can read your names on your grave stones. You have less pain than I have. So, maybe I will join you soon. I hope so.
I no longer work near Oakwood Cemetery. My attitude is now much improved, but post-novel-depression is every bit as hard as I describe it here.